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The hidden photographic histories of women’s work in 20th Century Sunderland are being uncovered with new research from Sophie Piper in partnership with the North East Photography Network, Sunderland Museum & Winter Gardens and Historic England.
During 2026, Photographer and Researcher Sophie Piper collaborated with women who worked at the Pyrex Factory in Sunderland to expand and enrich the story of women’s work in Sunderland. Through a series of workshops, Sophie has been uncovering hidden photographic and oral histories using photographs taken by Eileen ‘Dusty’ Deste as a catalyst for discussion.
Guided by the participants’ insights, Sophie and Amanda Ritson (NEPN) are co-curating an exhibition of the project to be presented at Culture House in 2027. The exhibition will include a soundscape produced in collaboration with Grace Stubbings.
Hear about the project
You can also catch Sophie on 8 March talking about the project as part of Culture House Sunderland’s International Women’s Day celebrations.
Who is Dusty Deste?
Eileen ‘Dusty’ Deste was a commercial photographer from the 1920s – 1970s with a personal interest in documenting regional British industries. She travelled the country in a Land Rover, photographing industries from the South to the North of England. From tin mines in Cornwall and potteries in Staffordshire to the Pyrex Factory in Sunderland.
She visited the Pyrex factory in January 1961. She photographed both male and female employees working across the departments – from the office to the factory floor, laboratories to canteens.
Her photographs are a comprehensive photographic documentation of the company, guided by her own interests, not a commission. Her work brings a new visual narrative to an industry that has primarily been seen through the male gaze.
About the Pyrex Factory
James A Jobling & Co Ltd of the Wear Flint Glass Works obtained the license to produce Pyrex, a heat-resistant type of glass ideal for laboratory glassware and kitchenware in 1921. They became the supplier of Pyrex Pyrex for the Commonwealth countries (except Canada).
They first made domestic products and then expanded into laboratory glassware. Due to the product’s success, Jobling’s swiftly became known as the Pyrex Factory. At the height of production in 1960, over 3500 people worked there.
This project is led by photographer and researcher Sophie Piper, as part of her collaborative PhD at Sunderland Museum & Winter Gardens – delivered in partnership with Historic England and the North East Photography Network, supported by the National Lottery Heritage Fund as part of the Museum redevelopment project